vividness

Pushes a draft from abstract toward concrete at two scales. Noun-level (replaces "dog" with "German shepherd," "customer" with "Sarah at JPMorgan's options-trading desk," "many" with "47 of 100") and scene-level (turns "I was angry" into the body signal, room, and dialogue). Implements Kramon's "specific over abstract" rule, Kristof's "real names, real numbers, real interviews," and Lauren Weinstein's "could a…